I haven’t written a blog in some time. In fact, it’s been so long that Google has de-indexed me. I’m getting emails asking for links to some of my best-loved blogs. (For what it’s worth, those seem to be Plan 9 from Out of Sequence, Maureen O’Hara Vs. the Egg People, and The Marx Brothers Explain Copyright Law.) There’s a subtle plugola that might get just those blogs reindexed!
People are also asking me where I am. I’m on Facebook and on the Dr. Film Facebook page, but no blogs. Why would that be? Well, frankly, I’ve been underwater with work and I’m only now coming up for air. Writing a blog like this takes concentration, and I’ve been saving that for paying work.
Let me answer the questions I have been receiving:
Q1: Is King of the Kongo coming out on DVD/Blu-Ray soon?
A: No. There are extenuating circumstances and I can’t go into them here. A Kickstarter campaign would not help. YouTube won’t help. There are some problems. That’s all I can say.
Q2: Have you found any more sound discs for Kongo?
Q3: Are you working on any more preservation projects?
A: Yes. I’m hoping to raise money for some. I’m hoping that I can get Little Orphant Annie, the basketball films from Milan Indiana, and a film called Little Mickey Grogan restored. At the current time, all are having some problems.
A: Maybe. Some of the issues involved are deeper than just funding; again, I can’t go into them here.
Q5: You keep talking about a video streaming project? Have you given up on that?
A: No. We’re moving forward on it and it’s being developed. I’m hoping to get a federal grant for it. I listened to what you guys said and I’m going to try to fund a 501(c)(3) broadcast and streaming station that will be aimed at promoting literacy about older films and film preservation. If I can get it off the ground, it will be called VintFlix. We have the page reserved already. It will take more funding to get going than I can get on Kickstarter. I’ve been in contact with the National Endowment for the Humanities and they are saying encouraging things.
Q6: Is the Dr. Film show dead?
A: It’s not a bit well, but I wouldn’t say dead. We are still talking about a podcast, but I haven’t had time to do one. If VintFlix gets off the ground, then the Dr. Film show will be on it.
Q7: You promised to write a blog on digital vs. film on the Facebook page, but you haven’t. Where is it?
A: I’m working on it.
Q8: You say you’re busy. Does that mean you’re making a lot of money?
A: No, I’m fulfilling obligations and doing publicity for other things. I would never recommend doing what I do unless you’re unbalanced like I am and just need to do it for some reason.
Q9: You’re doing shows and personal appearances?
A: Yes, a great number of them and in several cities this year.
Q10: Are you appearing as Dr. Film?
A: No, as myself. If you’re interested in booking me, then you have my contact information in the Dr. Film main page or the email link at the upper right of this page.
Q11: I saw your King of the Kongo presentation at (wherever you saw it). Can you bring that to my theater?
A: Yes. Contact me. The episodes are available on film or DCP.
Q12: I saw your show on the history of color in the movies. Can you bring that to my theater?
A: Yes. Contact me. We have to do this one on film, and it doesn’t work in a really huge auditorium.
Q13: Are you affiliated with David Pierce and James Layton, who wrote the book on the history of Technicolor?
A: No, but I know them. My presentation is entirely different from theirs, although theirs is quite good. I’ve seen it more than once. (They discuss the history of the Technicolor company, whereas I show examples of many of the different processes, including Technicolor. They go more in-depth than I do.)
Q14: I think your work is very cool. How can I support you?
A: Buy some t-shirts or send me PayPal. I’ll send you the address if you’re so motivated.
Q15: We’re not interested in stuff you’re trying to do. We’re only interested in what you’ve done.
A: Thanks for that. Would you rather me just wait and post a boatload of stuff when things get resolved? Part of what this blog is about is the ongoing saga of film preservation and how I’m trying to do it. It’s a drama. Have fun with it. Really. There may even be a book about it someday…